This is a remarkable film. Not a false note in it. For my money, this is the most insightful and affecting portrayal of racial politics in the South before the Civil Rights Movement. It refrains from showing any physical violence between races, subduing all racial tension to language, gestures and glances. This proves highly effective and conveys a clear sense of how people learn to function day-to-day in their oppressive environment. In fact, the only moment of violence is between our black protagonists, all the more shocking and unsettling since our belief in this story relies on their unity for defense against the world.
The aesthetics of this film are akin to the look and feel of Charles Burnett's Killer of Sheep, which is another film that has recently made me rethink the historical trajectory of African American's cinematic representation. Loved both of these films and highly recommend them.
Patrick went to NYU film school and knows all the secrets of the Dharma. More of Pat's film writing can be found here and here.
Andrew and Ligature are a glamorous couple straight out of a Woody Allen flick.
Joaquin is a filmmaker, 9 to 5 cubicle fodder and a licensed joyologist.
Aaron is a media connoisseur, pop culture aficionado, and with his friend, "Madame," entertains children of all ages throughout Capitol Hill.
Chad works in film, and really likes 'Super Troopers.'
Dex broods day after day on his cunning plan to get a date with Natalie Portman. His past writing on politics, the environment, and life during the Age of Dubya may be found here.
Pike Bishop can milk a cow, dress a gunshot wound, and saddle a horse. He once punched a bear for sassin' him.
Amber will blind you with science and hit you with technology.
1 comment:
This is a remarkable film. Not a false note in it. For my money, this is the most insightful and affecting portrayal of racial politics in the South before the Civil Rights Movement. It refrains from showing any physical violence between races, subduing all racial tension to language, gestures and glances. This proves highly effective and conveys a clear sense of how people learn to function day-to-day in their oppressive environment. In fact, the only moment of violence is between our black protagonists, all the more shocking and unsettling since our belief in this story relies on their unity for defense against the world.
The aesthetics of this film are akin to the look and feel of Charles Burnett's Killer of Sheep, which is another film that has recently made me rethink the historical trajectory of African American's cinematic representation. Loved both of these films and highly recommend them.
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